{"id":206,"date":"2019-10-15T18:53:15","date_gmt":"2019-10-15T18:53:15","guid":{"rendered":"http:\/\/jannotta-schneider.de\/?page_id=206"},"modified":"2019-10-20T17:47:10","modified_gmt":"2019-10-20T17:47:10","slug":"cd1","status":"publish","type":"page","link":"http:\/\/jannotta-schneider.de\/en\/cd1\/","title":{"rendered":"CD1"},"content":{"rendered":"\n<div class=\"wp-block-columns has-2-columns\">\n<div class=\"wp-block-column\">\n<p style=\"font-size:14px\"><strong>Cantabile <\/strong>(1975) is the earliest work on this program and is dedicated to Jannotta\u2019s teacher and mentor, Kurt Frederick. Jannotta composed the piece during his studies with Tom McKinley at the New England Conservatory in Boston. It was influenced by his studies of Arnold Sch\u00f6nberg\u2019s piano pieces and Keith Jarrett\u2019s improvisations, especially <em>The K\u00f6ln Concert<\/em> recording. <\/p>\n\n\n\n<p style=\"font-size:14px\">Joan Schneider gave the European premi\u00e8re of <em>Cantabile<\/em> in 1995 at the <em>Kleines Theater<\/em> in Salzburg.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p style=\"font-size:14px\">Jannotta also used the first motif in 1990 in the stage music of <em>Karlos<\/em> by Tankred Dorst at the Munich <em>Kammerspiele<\/em>. <\/p>\n\n\n\n<p style=\"font-size:14px\"><strong>An Uneven Decade <\/strong>(2013) was composed for Jannotta\u2019s seventieth birthday celebration. The piece allows even more freedom for the performer\nthan his <em>Forest <\/em>and forms a strong contrast to the otherwise strictly organized\npieces in the program.<\/p>\n\n\n\n<p style=\"font-size:14px\"><strong>Toccata<\/strong> (2001) In this piece the focus is on chords and on the sparkling\neffect of their resonances. Jannotta suggests that the interpreter should play as though touching the sounds.<\/p>\n\n\n\n<p style=\"font-size:14px\"><strong>four Jane <\/strong>(2004) was commissioned by Jane Ross, a friend and fellow musician.\nThis is the most jazz-oriented piece on the program. <\/p>\n\n\n\n<p style=\"font-size:14px\"><strong>King Lear Variations <\/strong>(1992\/2015)The theme is\ntaken from Jannotta\u2019s stage music for Shakespeare\u2019s <em>King Lear <\/em>at the Munich <em>Kammerspiele<\/em>. <\/p>\n\n\n\n<p style=\"font-size:14px\"><strong>Parliamentarians<\/strong> (1989\/2015) is a short humorous piece. Canonic passages, clusters, interruptions and dissonant flourishes suggest parliamentarians debating.  Originally an ensemble piece, it was composed for the Stuttgart Theatre Academy. The production marked the two hundredth anniversary of the French Revolution.&nbsp; <\/p>\n\n\n\n<p style=\"font-size:14px\"><strong>Forest <\/strong>(1996) was inspired by a walk in the Aubinger Lohe in Munich. At\ndusk the trees gave the impression of grandeur and patience but did not appear\nthreatening.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<figure class=\"wp-block-image\"><img loading=\"lazy\" width=\"600\" height=\"536\" src=\"http:\/\/jannotta-schneider.de\/wp-content\/uploads\/2019\/10\/Plattencover.jpg\" alt=\"\" class=\"wp-image-172\" srcset=\"http:\/\/jannotta-schneider.de\/wp-content\/uploads\/2019\/10\/Plattencover.jpg 600w, http:\/\/jannotta-schneider.de\/wp-content\/uploads\/2019\/10\/Plattencover-300x268.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption>Painting: Martin Vollmer<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cantabile (1975) is the earliest work on this program and is dedicated to Jannotta\u2019s teacher and mentor, Kurt Frederick. Jannotta composed the piece during his studies with Tom McKinley at the New England Conservatory in Boston. It was influenced by his studies of Arnold Sch\u00f6nberg\u2019s piano pieces and Keith Jarrett\u2019s improvisations, especially The K\u00f6ln Concert &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/jannotta-schneider.de\/en\/cd1\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;CD1&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"translation":{"provider":"WPGlobus","version":"3.0.1","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"http:\/\/jannotta-schneider.de\/en\/wp-json\/wp\/v2\/pages\/206"}],"collection":[{"href":"http:\/\/jannotta-schneider.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/jannotta-schneider.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/jannotta-schneider.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/jannotta-schneider.de\/en\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":12,"href":"http:\/\/jannotta-schneider.de\/en\/wp-json\/wp\/v2\/pages\/206\/revisions"}],"predecessor-version":[{"id":308,"href":"http:\/\/jannotta-schneider.de\/en\/wp-json\/wp\/v2\/pages\/206\/revisions\/308"}],"wp:attachment":[{"href":"http:\/\/jannotta-schneider.de\/en\/wp-json\/wp\/v2\/media?parent=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}